![]() ![]() His later style, decisive, formally ascetic, and dominated by white, emerges in the poetic prose of his delicate Platero y yo (Platero and I), 1914, and is fully developed in Diario de un poeta recién casado (Diary of a Newly-Wed Poet), 1917, written during a trip to the United States, as well as in Eternidades (Eternities), 1918, Piedra y cielo (Stone and Sky), 1919, Poesía (Poetry), 1923, and Belleza (Beauty), 1923. It is strongly visual and dominated by the colours yellow and green. His early poetry was influenced by German Romanticism and French Symbolism. The years between 1905 to 1912 Ramón Jiménez spent at his birthplace, Moguer, where he wrote Elejías puras (Pure Elegies), 1908, La soledad sonora (Sonorous Solitude), 1911, and Poemas mágicos y dolientes (Magic Poems of Sorrow), 1911. The leader of this group of modernistas, as they called themselves, Rubén Darío, helped Juan Ramón to publish Almas de violeta (Souls of Violet), 1900, his first volume of poetry. J uan Ramón Jiménez (1881-1958) belonged to the group of writers who, in the wake of Spain’s loss of her colonies to the United States (1898), staged a literary revival. Share via Email: Juan Ramón Jiménez – Biographical Share this content via Email.Share on LinkedIn: Juan Ramón Jiménez – Biographical Share this content on LinkedIn. ![]() Tweet: Juan Ramón Jiménez – Biographical Share this content on Twitter.Share on Facebook: Juan Ramón Jiménez – Biographical Share this content on Facebook. ![]()
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